Sunday, 11 May 2008

A Happy Mothers Day - From Toshokan Sensou!

Brawn Before Brains XD

There's a lot to like about this episode (unless you're just into the gun-toting aspects of this show), most notedly how everyone chipped in to help Iku distract her parents from the dangerous aspects of her job without her having to ask them (well, Shibasaki had to be offered a good meal, but I would have done the same. What are friends for? :P) Guess it once more shows us the 'princely' of the guys on the show (And yes, I did notice that Iku's dad drinks that Prince beer this time around)


Shibasaki to the rescue (again)! The scene made me think of Mint and her costume fetish XD

"Call me 'otousan' " *winks*

Also, it just happens to be that second Sunday of May, so here's a shout-out to my dearest mom back home - HAPPY MOTHERS DAY! (Then again, I'll probably have to be as desperate as Iku to hide the existence of this blog from my own parents, so I'll just have to send that message through other means, lol) This goes out to all moms out there too, especially those who watch anime (Is there such a demographic?) And not forgetting those in anime as well, who are always wishing the best for their offspring like their real life counterparts (though the means by which they go round displaying it is by far more entertaining - think Itazura na Kiss and Kyouran Kazoku Nikki)

Iku's mom is the rather over-concerned type, the kind that fusses over their children choosing less orthodox and sometimes risky paths in life. It doesn't gel too well with Iku's somewhat brash and headstrong personality and her insistence in joining the Library Task Force, but I guess it's some sort of stereotype for daughters not to have the best relationships with their moms (or conversely, have ridiculously good 'BFF'-like ones). Though Iku's mom was later than her dad (never underestimate a man who drinks PRINCE!) in fully realizing the scope of their daughter's wishes and accepting them, to her credit we do see by the end of the ep that the romantic streak of Iku's is something she shared by mother and daughter - just see her instant delight upon hearing of her daughter's Prince Charming story ;P In the end Iku realizes that opening up to her parents earlier on would have been the right thing to do, as they turned out to be more understanding of their child than what she gives them credit for - which is often the case in real life.

It kinda reminds me of the time I 'dropped the bombshell' on my own parents about my wanting to study in Japan ("Of all places???" was what their reaction was along the lines of) - something they never saw coming despite knowing well enough that I waste most of my life away spend a lot of my time watching anime XD. Though they were rather against it at first, mostly because it seemed to them like one of my infamously spur of the moment impulse driven decisions - and concerning that 'all important' education no less - so I did have to show that I did actually put some thought into this (ZOMG SRSLY??). The rest is, as they say, history :D

(I'll probably have even more trouble convincing readers of this blog that it's NOT* because of anime that I'm actually here, so I won't even try =P

*Okay fine, not SOLELY... ;P I still have a personal wish to watch Mizuki Nana perform live to fulfill! A little too late for that this year though... Or is it...?)

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GYABO!!!

Anime Nodame doesn't have to stay a hikikomori anymore - Europe here she comes!

Hell YEA, finally a sequel this year I can actually look forward to!

Of course being away for 'just' a day from the blogosphere naturally makes me reporting the news of a


rather late, but what the heck s'not like I have much else to blog about currently.

Makes me wish I tried for that overpriced Nodame phonestrap gachapon the other day... Oh wells.
.

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Thursday, 8 May 2008

Kurenai 5: Try this lockjaw prevention exercise!

Is that shounen I hear??

Who needs Kawasumi Ayako and Noto Mamiko when you have Sawashiro Miyuki and Shintani Ryoko loving :P


You know I wish I had something relatively intelligent to say about Kure-nai since it's really a series that deserves that much in a post instead of my crack irrelevant ramblings, but...


Am I the only one who was totally creeped out by the fact that they probably used the minimum number of frames possible for Tamaki the entire time she was talking with her face close to Shinkurou's? (Okay so she did make one extra movement - shifting her face closer still to Shinkurou's at one point, only her profile remained exactly the same -_-") It's made even obvious when Shinkurou was constantly moving (away from her) and his facial expressions were way more animated (not exhibited well by my choice of screenshots -_-")
during the scene, while it only seemed that Tamaki could only just manage to execute that incredibly complex process of moving her lower jaw up and down as her voice actress spouts her choice inappropriate lines at Shinkurou...

Maybe she's just worried that she hasn't gotten a tetanus shot.

Yet another "Is it just me, or..." moment from yours truly. Bear with me, I have 12 pages of kanji to write and rewrite as Maths homework at the moment... ORZ Now if you were looking for something wordier and analytical about Kure-nai to chew on, look no further than the newly revived Epic Win (a post which thankfully quelled my horrid suspicions that Guff and Orion had once again gone MIA after announcing that they are, indeed, alive and well quite a while ago...).

P.S. A major apology to Yayoi for not including her on this list a while back (I'd slot her in at number 3 since her scenes with the cat were all pretty cute XD).

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Wednesday, 7 May 2008

Minami-ke:Okawari : Going, going...

You know, going off to study in a foreign country can be quite saddening...

(Well, sad for the unhouse-trained members of the family you leave behind perhaps)


Minami-ke: Okawari (which aired last season for anyone who forgot, and yes I realize this post is probably only relevant to myself who took until yesterday to finish the series) is literally a second helping of sorts to last year's successfully hilarious slice-of-life comedy Minami-ke. On one hand, we got back most of what we already loved in the first series (Mako-chan's gender confusion, Hosaka's self delusionsbeing Hosaka, Kana being BOSS, the Bible Black SRS BSNS faces, and have I mentioned Mako-cakes?). On the other, with the studio change came other bits of extras (new hair colours, creepy blacked out faces, Fuyuki... Yea, Fuyuki) and for all the extra toppings Asread added, some may have found that this second helping pales in comparison to its predecessor.

Of course the first series had the advantage of being a sleeper hit of sorts that did admirably well without relying on high expectations which this sequel probably came with. Asread did manage to tap into the key LOL elements of the first season and played them out for more laughs - poor Mako-chan being the most severly unspared :P, but along with it came their own original additions to the story, probably in the hopes of making the series 'their own'... Only they didn't do much in increasing the appeal of the series - Fuyuki's presence in the story ended up being less apparent than those unseen faces in the background.

Until the episode he left that is.

I was rather surprised that despite the decidedly low impact Fuyuki had on the actual story (oh wait, what story? Fine, maybe I was just disappointed that he was hardly 'broken' to begin with/by the end - unlike us readers of Derailed), his eventual exit was handled in such a subtly sombre fashion (underneath all the Sports Festival hijinx going on) that despite some part of my mind going "*yawns* Is he gone yet? Oh, finally", I was actually impressed that a Minami-ke with comedy as its main forte could pull off something that's vaguely touching (or was meant to be).

Of course, this kind of 'sap' in comedy does occur elsewhere (like a a gazillion times in Ranma 1/2 and once or twice in Galaxy Angels where they didn't really work. In comparison Gintama has managed to pull some of these surprisingly well - damn, I just remembered I missed the conclusion of the current Shinsengumi uproar arc!), but is often very jarring to the comedic aspect of the show. But it's less of a case with slice-of-life comedies like Minami-ke or Azumanga Daioh.

And what they did in the last episode, having KANA actually thinking of 'sending off' Haruka with a smile (fine, only Kana would think of that and execute it the way she did - or rather got all her minions to) leading to the eventual true tears segment (to use another season-old joke).

I dunno if it's me actually being away from home that's doing this to me *sniffs*, but that usual "ACK, SAP ALERT" gag reflex the cynical me would usually have didn't come on at all. Yea, you could see from a mile away that Chiaki would break down first, followed by KANA before Haruka reveals that she's not going anywhere, but there was that genuine aspect of sadness at the prospect of Haruka leaving her sisters to go abroad (actually, it's a rather horrifying aspect now that I think about it, how Chiaki and Kana would survive I don't know) coupled with the fact that the show is ending. All in all, despite it being a somewhat cliche slice-of-life type finale, it was again played out well by Asread (the inserted first ED song was a nice touch - again borrowing from the success of the first series).

**
Actually it's my second time this far away from home pursuing that 'necessary' yet incredibly tiresome asset called an education, so for my family and friends back home as well as myself, there's not so much to be as sappy about this second time around -_-"

Final verdict? Okawari did offer a good amount of laughs to balance out whatever else Asread put in that you might want to complain about - so it neither falls into the category of sequels that suck nor those which greatly surpass their originals. Yet another 'solid' comedy series overall, for the lack of a more interesting description.

Now if you excuse me, I've got to go book a ticket to San Fransisco, I here there's this new place that's just opened that serves the best pasta...

P.S. Happy 21st to Shin over at atalude (And a Happy Birthday too to everyone else who seems to have been born on this same day) Get your cake before Kana does =P

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Tuesday, 6 May 2008

Junjou Romantica 4 and the Highly InAppropriate Subs

Uh-oh... Usagi's been watching Higurashi!

Thanks to aarinfantasy, I can now shut off one more part of my brain whenever I watch Junjou Romantica (you know, the part that has to translate cheesy dialogue), I can just sit back in some hazy stupor and watch the subtitles do all the talking (plus it eliminates me having to think of captions for screenshots, not that I'm stopping :P):


Hmm, doesn't that remind you of somebody else, Misaki?

Still can't believe that that was the 'first' (near enough) thing everyone else saw of you...
(well, not like we could see anything in the first place)


The next few ones speak for themselves (Got to hand it to aarinfantasy here XD):



AKA 'subtext'

Err, am I the only one thinking Kamichama Karin?

(I don't remember her looking so alien in the rest of the episode, oddly enough, besides the BRIGHT red lipstick anyways. Women in BL always seem designed to have hate lumped on them by the indignant fangirls anyways)

About the episode itself... You know, I can hardly remember anything despite having just watched it since everything that happened seemed to have been taken out of the yaoi plot device checklist or something - obligatory fits of jealousy and "Why am I thinking of you so much" blah blah blah cheese blah blah blah "Don't touch me!" blah blah blah "Touch me!" blah blah blah "I think of you all the time too!" blah blah blah Buttsecks blah blah - oh, that's it?

I think the second couple was more watchable (and is apparently the 'best' of the three). Maybe I actually have to turn on my brain once in a while when I watch the next episode. But since it's still currently in 'off mode' right now, I think I'll go watch some Kamen no Mad Guy now...


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Toshokan Sensou 4 : Yes, we know it's unbelievable, so what?

The face of regret. (Hah! In your face! Look down on Kasahara will you!)

I wish I could say that I've been slacking on my anime watching/blogging these past few days because I've been out spending a superbly fun Golden Week holiday doing embarassingly gaijin-like things in overcrowded tourist spots... Only the furthest I've been to is a few blocks away for nabe at a senpai's place and the internet connection in the university's been rather foul to me the past few days so, yea, that's my lame excuse. Now onto the post!

As usual, actual summary at THAT, this time though, subs from Ocha!

The leg that pierced the heavens!!! *ducks rotten tomatoes for a joke that's so last year*

I think the major complaint about belief suspension required when watching Toshokan Sensou needs to be stopped. Yes we get it, the Media Communists, armed library forces, Hino's Massacre are all 'WTF' plot points. Yet the same people who point this out are the same people who actively enjoy this show - which really proves that it's that awesome! Or in slightly more pretentiously intelligent terms, the core unbelievability of the premise still manages to support a highly enjoyable story and still highlights more relatable themes (media censorship, war is bad, etch) - and isn't that what makes a good anime good? Also despite the media war being SRS BSNS as treated in the show, the show still manages to maintain a whimsical side to the whole deal - and finds a good balance between the two. Why, the show even has Komaki sniggering in the background of most scenes to represent both the cynical side of the viewer's mind that may still be rejecting the viability of the premise and the side that still thinks it's still a heck lot of fun to watch (Okay, so he's mostly sniggering at Kasahara and Doujou's antics, but aren't we all :P)

Anyways, enough of the SRS talk, on to screenshots and lame one-liners (so not ripping off blissmo and Nagato here :P)

KANA

Was it just me, or did Kasahara (or rather Inoue Marina) channel a lot of Kana this episode? :P I almost took her restaurant message for Shibasaki for real thinking that it was so KANA of her to say something like that XD (If there's one thing I managed thanks to the lack of a stable internet connection these past few days - past 10 o clock anyways - it's that I've finally started to catch up with most of my Winter Season watchlist that I stockpiled but strangely neglected once this new season began)

Hataraki Man - brought to you by Tanaka Rie

SHINKU (Hey, give Shibasaki some love too :P)

A bishie?? In my Library War?? How dare they... (Looking like Sagara there, Doujou)

Tis the season for more BL jokes...

Btw, the way they managed to perfectly execute the rescue scene somehow made me think of those airplane safety instruction demos that the stewardesses have to do, lol. Nice to see a job well done by the Task Force anyhow and Kasahara redeeming herself without resorting to being as flashy as I hoped expected (Brains > Brawn :P). What was flashy of course, was Genda's BUTT OUT COPS, WE'RE BUYING THE DAMNED LAND FOR THE POWER moment, but he does point out it's strategic merits: they can always build a new library there after the operation - and as anyone who's played Monopoly before knows, the more hotels libraries you have, the better!

Don't you just love it after an already awesome episode they end things off with something that just promises something interesting in the next one? Can't wait for this week's episode *coughsmore KasaharaXDoujoumomentscoughs* =P

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Saturday, 3 May 2008

Yet Another Post on Why S.A. Sucks and Itazura na Kiss Rocks (Kei VS Irie)

As usual, the post title is really making things sound more extreme than they actually are (because I'm an atention whore). I’ve mentioned before how bland S.A. is turning out, and even Impz the shoujo advocate has denounced S.A. to be a pile of (GONZO produced) rage inducing crud. Personally my reaction towards S.A. so far is little in the way of anger (since I have no previous attachment to the manga source which is apparently ‘just okay’ anyways), and more of “Err... That's it?”

But even if S.A. turned out to be a decent enough adaptation, what would be the actual draw? I think the specialty draw in Special A was meant to be one or both of the following: the development of Kei and Hikari’s ‘unusual’ competitive relationship into something more romantic (for those who’ve not seen KareKano anyways), and the possibility of a lol-worthy comedy driven setting with a dash of possible romance involved (for those who’ve not watched Ouran – seriously, WHY THE HELL HAVEN'T YOU??? :P). So far, as some besides myself have probably realized, S.A. has not been doing too good in both respects.

What's this? A KareKano ripoff hommage??

The futility of comparing the setting and comedy of S.A. to Ouran has been pointed out, so I’ll move to what could’ve been the main draw of the show – Hikari and Kei. So romance blossoming from competition has been done (a comparison to KareKano would be just as futile), the twist here in S.A. is that the traditional one-sided roles have been reversed. It’s more often to find a girl whose feelings fail to reach the guy in mind. Here, it is the female Hikari’s hard headed competition driven mind which is totally oblivious to the male Kei’s feelings for her, not helped by the fact that he’s continuously pick on her inability to surpass him. Of course, Hikari’s single-mindedness is partially at fault here, but my main bone to pick is with Kei and his apparent refusal to express himself to Hikari in a better way than constantly calling her out as ‘Number 2’ (For the top students in school, they sure can act like grade schoolers -_-")

But why exactly is Kei masking his feelings for Hikari again, and by putting her down in dumb challenges that defy their character designs? One may say, obviously there’s SOME reason which they’ll reveal later that’ll make his actions make all the sense in the world (Like he’s really waiting for the day Hikari finally beats him at something to confess – WOW, how impressively ROMANTIC!). But whatever the reason, it's bound to be one of those gimmicky gimmicks *gasps, not a gimick!*. A gimmick to make the relationship aspect of the story more ‘special’ than it really should be. A gimmick to make Kei’s own character circumstances seem more ‘special’ than he really is (“Oh, I’m like rich, smart and complex!”). A gimmick to make Kei seem so ‘specially’ distant from Hikari at one point in the episode, only in the next moment he’s forced to drop it all in order to save/protect Hikari, in a process designed to make the fangirls swoon at this transition - “!!!! See?? See how much he REALLY cares for her???”

*Urgh*

For me the whole “Let me take these BONE-CRUSHING blows to PROTECT you, Hikari!!! When really I could just break these damned handcuffs and we can beat the crap out of these losers TOGETHER WITH THE POWER OF LOVE!!!” scenario in ep 2 was excruciating to watch (and not only from a feminist’s standpoint, it was lame to begin with), while his whole running through the woods searching for Hikari recently was again pointless and exaggerated. Seriously Hikari, what are you reading these actions as, expressions of masochistic tendencies?

Irie papa sums up the best thing about watching Itazura na Kiss

Now, let’s look at Itazura na Kiss, which does really on a simple gimmicks (like house moving caused by timely earthquake) to achieve simple results in a rather simplistic romantic story – but hey, it works! Still, to many the biggest drawback besides the dated art (which I actually adore) in Itazura is the jerk for the male lead Irie-kun. That he’s a jerk through and through is rather undeniable, but here’s the thing, we all know that he WILL end up with Kotoko and for that to truly happen (unless this becomes a wife-beater show and I’ll be left in utter despair) is that he unjerkifies himself (hurray for making up new words) somewhere along the line. And already we see this happening slowly but surely thanks to Kotoko and the interventions of his mom (lol).

Yes, Irie is a jerk and a snob, that’s his true character, but not only can this be changed, it is being changed for the better. In additional support to the jerk (I can’t believe I just typed that) Irie at least knows how to be blunt and when to be subtle when he's teasing Kotoko :P The way he lulled Kotoko (and this naïve viewer) into thinking he’s showing signs of thawing during the picture taking - only to strike at her once again was pretty hilarious and totally made up for his eerie Itou Makoto-esque risque stunt he pulled with her an episode ago. Kei’s "#2" jab at Hikari on the other hand, grew too old too fast.

As for Kei, he isn’t actually a jerk or a snob, as everyone (even the supposedly blur Hikari) knows well enough, but the fact that he keeps acting like one in front of her by continuously putting her down as second-fiddle to him, thus masking his affections for her (and just from her, again everyone else knows) just rubs me the wrong way. I don’t know for sure if they actually get together within the scope of the show (a half-assed confession at the final minutes of the show hardly counts), but somewhere along the way, Hikari herself will have to come to the RELIZATION that ZOMG, he’s in love with me, whatever shall I do??? But whatever she does, it won’t actually change Kei for the better in the way Kotoko is doing for Irie, all it’ll do is merely get Kei to finally give up on his needless façade so that he and Hikari can FINALLY live happily ever after, blah blah blah… who cares. I don’t.

Thus we have Irie “I’m so cold and distant because my mom cross-dressed me as a child!” (This method of child-raising may have the opposite result though – see Kyou Kara Maou) while Kei is all “I ACT all cold and distant because… err… It’s cool! …And my dad’s voiced by Ogata Megumi!” Hence, Irie (genuine jerk) > Kei (fake prince)

In conclusion:

· S. A. – Still blah. Needs less Hikari and Kei, more Tadashi and Akira; if there’s a Ryu arc make it decent; and give poor Yonaga Tsubasa some more exposure (in the hopes for another season of Ookiku Furikabutte!).

· Itazura na Kiss – Still Awesome (Now that’s what S.A. should stand for, instead of ‘Still Awful’). Watch more. :D



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